How to Hit $2,000 a Week as a Real Estate Photographer
One of the most common questions I get asked is:
“How do you hit $2,000 a week as a real estate photographer?”
And honestly… the answer is much simpler than most people expect.
The math looks like this:
I charge $500 per house
I photograph 4 houses per week
That’s $2,000 per week.
π All figures I share are in Australian dollars, so if you’re based elsewhere, just convert the numbers to your local market. The principle stays exactly the same.
But here’s the important part — I didn’t start at $500 per shoot.
Where I Started (And Why That’s Important)
When I first moved into real estate photography, my confidence was lower and my skills were still developing. So I priced myself accordingly.
At the time, I charged $350 per house.
To hit my $2K weekly target back then, I needed to photograph 6 houses per week instead of 4.
Still achievable. Still realistic.
But noticeably more work.
This is where a lot of photographers go wrong — especially early on.
The Pricing Trap Most Photographers Fall Into
A very common mindset is:
π€ “If I charge less, I’ll get more work.”
And yes — that usually works.
You will get more bookings.
But after 30 years in photography, I’ve seen the same pattern repeat over and over:
• You attract high-volume, low-respect clients
• You’re booked constantly
• You’re editing late into the night
• Your weekends disappear
• Your sleep suffers
• Your quality drops because something has to give
And eventually… burnout hits.
Not because you’re bad at photography — but because the workload you’ve created isn’t sustainable.
My Advice: Match the Industry First
If you’re starting out as a real estate photographer, my advice is simple:
π Match the industry.
Do a Google search for real estate photographers in your local area.
Look at what established photographers are charging.
Then come in at a similar price point.
This does two important things:
-
It protects the value of the industry
-
It protects you from overworking just to survive
Once your:
• confidence grows
• workflow improves
• consistency increases
Then you increase your rates.
That’s exactly how I moved from $350 per shoot to $500 per shoot — without burning myself out.
Pricing Is Only Half the Equation
Setting your rates is crucial — but it’s only part of the picture.
The other half is knowing exactly what you’re aiming for each week, and tracking it properly.
That’s what completely changed things for me — and I'll break that down in the next post.
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